Artwork for the sleeve came from the same photoshoot that delivered the artwork for Mr. Fantastic’s Harveys Bristol Cream album and the sleeve design comes from Nick Pointon who also provided the designs for the same album and other High Noon releases.

This rediscovered piece stands as a testament to the collaborative efforts that bring art to life. With its roots firmly grounded in 2012, this track finally finds its rightful place, offering a slice of the past that deserves its moment in the spotlight.

Please note that this is the black vinyl pressing. The very limited white vinyl pressings are exclusive to AE Productions.