Parrish’s journey into music began in the late 1970s, during the emergence of electronic music and the birth of hip-hop culture in New York. He found solace and inspiration in the vibrant NY arts scene and befriended influential figures, becoming an intern for, Cherry Vanilla (David Bowie’s manager), whose connections introduced him to the underground world of art galleries and trendy clubs.

Immersing himself in the city’s eclectic music scene, he embarked on a groundbreaking musical journey, becoming one of the first artists to fully embrace electronic instrumentation. Two early compositions featured in an early porn movie, one of which, ‘Heatstroke’, became the title music.

Parrish’s music gained further recognition when DJ Lance Weiss played ‘Heatstroke’ at the Anvil Club. He had recorded the music from the Betamix video to acetate. This led to an introduction with Mike Wilkinson of Disconet, who saw the potential for mainstream success. This pivotal moment marked the beginning of Parrish’s rise to prominence in the electronic music scene.

As his career flourished, Parrish became involved in the vibrant dance music scene of New York City, performing memorable stints at iconic venues like Danceteria, Fun House, where his warm up act was Jellybean’s then-girlfriend Madonna, nicknamed “The Skank”, and headlining at Andy Warhol’s Studio 54 club where celebrities such as Michael Jackson, Mick Jagger and Keith Haring would attend his performances.

In 1982, Parrish released his seminal single “Hip Hop, Be Bop (Don’t Stop)” under the label Importe/12. This track became an instant hit, blending elements of electro, hip-hop, and funk, and solidifying Parrish’s reputation as a groundbreaking electronic music artist.

The following year, Parrish released his debut album, “Man Parrish,” which further showcased his unique blend of electronic rhythms and catchy melodies. Tracks like “Six Simple Synthesizers” featuring Klaus Nomi, and “Heatstroke”  became club favourites, earning Parrish widespread acclaim in both the underground and mainstream music scenes. “Boogie Down (Bronx)” featuring DJ Kool & Cool Johnski aka Freeze Force and “Hey There, Home Boys” featuring vocals from the same ladies used to front Two Sisters, solidified his status among the hip hop/electro audience.

By far his biggest commercial success came from the release of ‘Male Stripper’ by Man2Man meets Man Parrish. Although the track was produced by Manny he didn’t find out about it until a phone call congratulating him on its success. Listen to the full story on Man Parrish’s website.